essay

***

‘I did’[28] ‘have’[29] ‘sometimes’[30] ‘the experience’[31] ‘that’[32] ‘I’[33] was’[34] ‘a mirror’[35]

‘Sometimes’[36]
‘the experience’[37]
‘that I realize’[38]> ‘I’[39]
‘mirror’[40]

‘I’[41] ‘mirror’[42]
‘the experience’[43]

‘mirror’ [Translated by author] (cd 1, track 4)[44]

‘or’[45]

‘r’[46]

‘r’[47]

‘r’[48]

‘r’[49]

‘r’[50]

‘r’[51]

‘r’[52]

‘r’[53]

‘r’[54]

‘art’[55]

‘art’[56] [translated by author]

3/4


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29 Strömquist Liv. (2018). Fruit of knowledge: the vulva vs. the patriarchy. (M. Bowers, Trans.). Seattle, WA: Fantagraphics Books.
30 Gopnik, B. (2016, April 21). Cindy Sherman Takes On Aging (Her Own). The New York Times. Retrieved from https://www.nytimes.com/2016/04/24/arts/design/cindysherman-takes-on-aging-her-own.html
31 Calvino, I. (1972). Invisible cities. Vintage 1997.
32 C. (2012, March 18). Face Blindness, part 2. Retrieved October 28, 2017, from https://www.youtube.com/watch?v=q8cXus7SNQY
33 Fitch Little, H. (2019, May 3). The weird conceptual universe of the artist Laure Prouvost. Financial Times. Retrieved from https://www.ft.com/content/535d25d6-6a5d-11e9-9ff98c855179f1c4
34 Weir, B. (2017). Everythinggetstreatedthesame/. Belfast: Ben Weir.
36 Berger, J. (2012). Ways of seeing: based on the Bbc television series with John Berger. London: British Broadcasting Corp.
37 DeConnick, K. S., Landro, V. D., Wilson, R., Peter, C., & Cowles, C. (2015). Bitch Planet. Berkeley, CA: Image Comics.
37 Yuen, N. (n.d.). Yuen, N. from http://ninayuen.info/
38 Kaufman, C. (2015) Anomalisa.
39 Enthoven. (2011). Binnenskamers. Amsterdam: De Harmonie.
40 Donachie, J. (2017). Jacqueline Donachie: right here among them. Edinburgh: The Fruitmarket Gallery.
41 McGregor, H., & Collins, M. (2019, November 22). I Wish I Had A Mustache with Max Collins. Retrieved from https://secretfeministagenda.com/page/1/
42 Lauwaert, M., & Westrenen, F. van. (2017). Facing value: radical perspectives from the arts. Amsterdam: Valiz.

43 Out Of Context – For Pina | Alain Platel |. (n.d.). Retrieved October 29, 2017, from http://www.lesballetscdela.be/en/projects/productions/out-ofcontext-for-pina/info/
44 Pirandello L, Verdurmen I, Brinkman S, Franssen P. (2006). Porgy Franssen leest Iemand, niemand en honderdduizend van Luigi Pirandello.
45 Brodsky, A., & Utkin, I. (2017). Cancelled 6/21/90. Finland?: LEsprit de lEscalier.
46 Vinyals, O., & Le, Q. (n.d.). A Neural Conversational Model.
47 Foster, H. The Artist as Ethnographer?.
48 Schalken, T. T. (2018). Eldorado. Leuven: Uitgeverij Oogachtend.
49 Wesseling, J. (2018, May 2). Melanie Bonajo eist respect voor aarde, mens en dier. NRC. Retrieved from https://www.nrc.nl/nieuws/2018/05/02/melanie-bonajo-eistrespect-voor-aarde-mens-en-dier-a1601562
50 Duff, M. (2016). The pineapple. The author.
51 Schneider, S. (2019). No fish. Berlin: 5b.
52 Wesseling, J. (2018, May 2). Melanie Bonajo eist respect voor aarde, mens en dier. NRC. Retrieved from https://www.nrc.nl/nieuws/2018/05/02/melanie-bonajo-eistrespect- voor-aarde-mens-en-dier-a1601562
53 Bechdel, A. (2015). Fun home: a family tragicomic. Boston: Houghton Mifflin.
54 Yuen, N. (n.d.). Yuen, N. from http://ninayuen.info/
55 Jeffries, S. (2009, July 01). Orlan’s art of sex and surgery. Retrieved October 28, 2017, from https://www.theguardian.com/artanddesign/2009/jul/01/orlan-performance-artist-carnal-art
56 Wesseling, J. (2018, May 2). Melanie Bonajo eist respect voor aarde, mens en dier. NRC. Retrieved from https://www.nrc.nl/nieuws/2018/05/02/melanie-bonajo-eistrespect-voor-aarde-mens-en-dier-a1601562